{love} the Nani Iro double gauze wedding quilt

 I so enjoyed making this. Every single part of it; from choosing the fabrics, and receiving it in the post, to designing and cutting and sewing. Then laying it out on our bed, deciding on how best to 'quilt' it, what stitching lines, etc.

I use the term 'quilt' quite loosely. As this doesn't have any intricate 1/8th of inches measurements or design fancies like that. And there's no binding - that is still something that is beyond my mental process abilities; though I do have feelings that if I just sat down and did it, then the binding wouldn't be too much of an issue - just have to leap that wall in my head telling myself it's too hard!

I used a bamboo + cotton batting, which is really soft, not too thick. This isn't a deep Winter snowing country quilt; more like a light Autumn / Spring NZ weather quilt. 

It was Sam's suggestion of the slightly waving lines of quilting, rather than straight lines following the straight rectangles of fabric. It's good having someone around to help with things like that - who looks at things properly (rather than a fleeting glance), and thinks about it. It wouldn't have worked with straight lines, the waves are exactly what this quilt needed. 

Working with the Nani Iro double gauze fabric is so so so lovely. I could have done basically anything with these designs and colours and it would have been beautiful. I basically love almost everything that Nani Iro designs. The double gauze is soft, buttery, luscious, delicious; it's beautiful beautiful beautiful to feel, to snuggle up to. 

The only one 'thing' (problem/issue?) with the double gauze that I found was the top piece of fabric/layer (each piece of fabric is two layers of gauze, hence the name "double gauze", and I sewed two pieces of fabric together, which meant four layers of gauze) slipped forward while I was sewing. My feed dog obviously took the bottom piece of fabric, while the top piece clung slightly to my machine foot and didn't move along at the same pace.* This meant that there were little puckers at the end of each seam (as the fabric on the top slipped so it was longer than the fabric underneath); but I think they didn't matter too much, in the end. And the little puckers will only add to the beauty of the quilt, as it ages and washes and puckers more and more; won't it!

While sewing this, for my dear friend's wedding gift, I remembered things about our growing up together. The plays and performances and shows and art works and stories and feuds and making up and teenager-hood and growing and learning together. Becoming parents at similar times, though on the other side of the world to each other, being able to find our similarities and remember our childhoods together. 

That's what makes a quilt isn't it. The reasons why, and the memories, and the because, and the love. So, really, I can call this a quilt, rather than a throw or a blanket or something else. It's layers of beautiful fabric {our life} stitched together with thread {memories, love, tears, laughter, loss, growth}, and squashed around soft batting to keep us warm, cosy and loved. 

*You know when you're on one an escalator and the bit you're standing on goes slower than the bit your hand is resting on; you end up slightly pulled in your body - arm forward, legs with the rest of your body.

More photos over here

- if you want to see all the beautiful close ups that my new camera takes. 

Ellie ~ Petalplum

Educator, textile artist, maker, writer, photographer, creativity coach & bespoke web designer (among quite a few other things). 
I love working with textiles, natural dyes & slow mindful moments, as well as guiding creatives (artists, crafters, photographers, alternatives therapies) on how to best share their work, voice & authentic self with their community & audience. 

Mama to 3, live in Northern NSW, Australia

Instagram @petalplum

https://petalplum.com.au
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